Rupert Neve Master Buss Processor

It’s been too long since I’ve posted on the mastering blog, so I thought I should tell everyone about some great new gear here at Terra Nova.

Portico II Master Buss Compressor

The new Rupert Neve Designs mastering compressor.

First on my list of new stuff is the Rupert Neve mastering compressor. They call it the Portico II Master Buss Processor.  Features include a compressor with all the controls you’d expect, a blend control for parallel compression, side-chain controls, a ‘texture‘ knob for variable transformer saturation (2 different types), a one-knob limiter and a ‘SFE‘ section with mid-side controls.  It has lots of features mastering engineers look for in a compressor and more; I’m beginning to use it every day.

Over the last year, I’ve acquired several other new pieces of gear.  Among them a Benchmark DAC1, a Z-SYS z-16.16 digital patch bay and a new custom mastering desk.  Also, sometime soon the new TerraNovaMastering.com site will go up.  Looking forward to a great year at Terra Nova Mastering!

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Crash Course on Music Publishing – Part 4

In part I of this article I left out one exclusive right under Copyright law. . . on purpose of course.  It is Digital Audio Transmission.

Basically referring to the new online & Satellite transmission of recordings, specifically, STREAMING (streaming audio, subscription-based entities).  Examples: Pandora Radio, Sirius/XM, Spotify, etc. . . Continue reading

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Crash Course on Music Publishing – Part 3

Before I continue, I wanted to mention briefly that I was just recently asked by a reader of this article of when should a writer expect to be paid his/her royalties.  The music publishing industry works on a quarterly basis when it comes to getting paid.  So for all royalties generated by the use of the song, the music publishers will receive royalty payments every quarter. They will then make their account and pay the respective writer(s) their appropriate share. Continue reading

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